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List of Top 30 of All Time – Billboard

WDC NEWS 6 STAFF by WDC NEWS 6 STAFF
August 14, 2023
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Barbie has delighted audiences and critics alike – and has made history in the process. The Greta Gerwig-directed film has become the highest-grossing film that was directed or co-directed by a woman in U.S. box-office history, according to boxofficemojo.com.

Barbie has grossed $526.3 million in the U.S. as of Monday (Aug. 14), which puts it at No. 18 on boxofficemojo’s list of the 1,000 all-time top-grossing films. From that massive list, we extracted the 30 highest-grossing films that were directed or co-directed by women for this custom-made list.

While women have made great strides as directors of successful movies in recent years, men still dominate in the field. The film at No. 30 on our list – Angelina Jolie’s Unbroken – is far down at No. 637 on boxofficemojo’s top 1,000 list. But the barrier has been broken. All signs are that women directors will continue making gains in years to come.

The Wachowskis directed three of the 30-highest grossing movies by women directors – three films in The Matrix series. Lana Wachowski (formerly known as Larry Wachowski) and her sister Lilly Wachowski (formerly known as Andy Wachowski) are both trans women. Lana publicly revealed her transition in 2008. Lilly followed suit in 2016.

Nora Ephron, Nancy Meyers, Betty Thomas, Jennifer Yuh Nelson, Vicky Jenson and Jennifer Lee have each directed or co-directed two of the top 30 highest-grossing movies by women directors.

Barbie: The Album has climbed as high as No. 2 on the Billboard 200. The soundtracks to seven of the films on this list reached No. 1 on that chart – Wayne’s World, Sleepless in Seattle, Mamma Mia!, Pitch Perfect 2, Twilight, Frozen and Frozen 2.

Here are the 30 highest-grossing films in the U.S. that were directed or co-directed by women, according to boxofficemojo.com. These figures are not adjusted for inflation.

  • Unbroken (2014)

    Director: Angelina Jolie

    Domestic gross: $115.6 million

    Overall rank: 637

    Notes: Jolie is of course better known as an actress. She won an Oscar for best supporting actress for Girl, Interrupted (1999). She also received the Jean Hersholt Humanitarian Award in 2013. Her father, Jon Voight, is also an Oscar winner.

  • You’ve Got Mail (1998)

    Director: Nora Ephron

    Domestic gross: $115.8 million

    Overall rank: 632

    Notes: With You’ve Got Mail, writer/directorEphron re-teamed with Tom Hanks and Meg Ryan, the stars of Sleepless in Seattle.

  • Wayne’s World (1992)

    Director: Penelope Spheeris

    Domestic gross: $121.7 million

    Overall rank: 582

  • Something’s Gotta Give (2003)

    Director: Nancy Meyers

    Domestic gross: $124.7 million

    Overall rank: 569

    Notes: Meyers received an Oscar nomination for original screenplay for co-writing Private Benjamin (1980), which gave Goldie Hawn her juiciest film role.

  • Sleepless in Seattle (1992)

    Director: Nora Ephron

    Domestic gross: $126.8 million

    Overall rank: 547

    Notes: Sleepless in Seattle brought Ephron an Oscar nomination for original screenplay, following nods in that category for Silkwood (1983) and When Harry Met Sally… (1989). The talented journalist, writer and filmmaker died in 2012.

  • The Matrix Revolutions (2003)

    Directors: The Wachowskis

    Domestic gross: $139.3 million

    Overall rank: 465

    Notes: The Wachowskis are the only collective of women directors on this list. All the other collaborations listed are of one woman with one or more men.

  • Look Who’s Talking (1989)

    Director: Amy Heckerling

    Domestic gross: $140.1 million

    Overall rank: 461

    Notes: This is the oldest film on this list. A female-directed film released the previous year just missed the list. (It would have ranked No. 31 if we’d kept going). That’s Big, the Penny Marshall-directed classic that brought Tom Hanks his first Oscar nomination.

  • Deep Impact (1998)

    Director: Mimi Leder

    Domestic gross: $140.5 million

    Overall rank: 458

  • Kung Fu Panda 3 (2016)

    Director: Jennifer Yuh Nelson, Alessandro Carloni

    Domestic gross: $143.5 million

    Overall rank: 443

  • Dr. Dolittle (1998)

    Director: Betty Thomas

    Domestic gross: $144.2 million

    Overall rank: 441

    Notes: Thomas received seven consecutive Emmy nods (1981-87) for acting in Hill Street Blues before making a successful transition to directing. She has received three Primetime Emmy nods for directing.

  • Mamma Mia! (2008)

    Director: Phyllida Lloyd

    Domestic gross: $144.2 million

    Overall rank: 440

    Notes: Mamma Mia! is the second-highest-grossing film directed by an English woman.

  • Shark Tale (2004)

    Directors: Vicky Jenson, Bibo Bergeron, Rob Letterman

    Domestic gross: $160.9 million

    Overall rank: 364

  • The Proposal (2009)

    Director: Anne Fletcher

    Domestic gross: $164 million

    Overall rank: 347

  • Eternals (2021)

    Director: Chloé Zhao

    Domestic gross: $164.9 million

    Overall rank: 345

    Notes: The Chinese-born Zhao received four Oscar nominations for Nomadland (2020). She won for directing and as one of the producers of the film, which was voted best picture. She was also nominated for original screenplay and film editing.

  • Kung Fu Panda 2 (2011)

    Director: Jennifer Yuh Nelson

    Domestic gross: $165.2 million

    Overall rank: 343

    Notes: Kung Fu Panda 2 brought Yuh an Oscar nod for animated feature film. She is an American who was born in South Korea.

  • Fifty Shades of Grey (2015)

    Director: Sam Taylor-Johnson

    Domestic gross: $166.2 million

    Overall rank: 339

    Notes: As you probably guessed, Sam is short for Samantha. Fifty Shades of Grey is the highest-grossing film directed by an English woman.

  • The Matrix (1999)

    Director: The Wachowskis

    Domestic gross: $172.1 million

    Overall rank: 318

  • What Women Want (2000)

    Director: Nancy Meyers

    Domestic gross: $182.8 million

    Overall rank: 274

  • Black Widow (2021)

    Director: Cate Shortland

    Domestic gross: 183.7 million

    Overall rank: 270

    Notes: Black Widow is the highest-grossing film directed by a woman from outside the U.S. Shortland is Australian.

  • Pitch Perfect 2 (2015) 

    Director: Elizabeth Banks
     
    Domestic gross: $184.3 million

    Overall rank: 266

  • Twilight (2008)


    Director:
    Catherine Hardwicke

    Domestic gross: $194 million

    Overall rank: 244

  • Alvin and the Chipmunks: The Squeakquel (2009) 

    Director: Betty Thomas

    Domestic gross: $219.6 million 

    Overall rank: 186

  • Brave (2012)

    Directors: Mark Andrews and Brenda Chapman

    Domestic gross: $237.3 million

    Overall rank: 160

    Notes: Brave brought Andrews and Chapman an Oscar for animated feature film.

  • Shrek (2001)

    Directors: Vicky Jenson and Andrew Adamson

    Domestic gross: $268.2 million 

    Overall rank: 126

  • The Matrix Reloaded (2003)

    Director: The Wachowskis

    Domestic gross: $281.6 million

    Overall rank: 118

  • Frozen (2013)

    Directors: Jennifer Lee and Chris Buck

    Domestic gross: $401 million

    Overall rank: 46

    Notes: Frozen brought Lee and Buck (and producer Peter Del Vecho) an Oscar for animated feature film.

  • Wonder Woman (2017)

    Director: Patty Jenkins

    Domestic gross: $412.8 million 

    Overall rank: 37

  • Captain Marvel (2019) 

    Director: Anna Boden and Ryan Fleck

    Domestic gross: $426.8 million 

    Overall rank: 31

  • Frozen II (2019) 

    Directors: Chris Buck and Jennifer Lee

    Domestic gross: $477.4 million

    Overall rank: 22

  • Barbie (2023)

    Director: Greta Gerwig

    Domestic gross: $526.3 million

    Overall rank: 18

    Notes: Gerwig has received three Oscar nods – directing and original screenplay for Lady Bird (2017) and adapted screenplay for Little Women (2019). If Gerwig is nominated for directing for Barbie, she would become only the second woman in Oscar history (following Jane Campion) to receive two nods in that category.



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